1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),   Related Paintings of Henri de toulouse-lautrec :. | The Moorish Dance | The Streetwalker | Women in a Brothel | Alone | Portrait of Gabrielle |
Related Artists:
Giuseppe Bazzani
Italian Baroque Era Painter, 1690-1769 was an Italian painter of the Rococo. Born in Mantua to a goldsmith, Giovanni Bazzani, early on he apprenticed with the Parmesan painter Giovanni Canti (1653-1715). A fellow pupil was Francesco Maria Raineri. He spent most of his life in Mantua. From 1752, he was faculty, and from 1767, director of the Accademia di Belle Arti of Mantua. While esconced in a declining provincial city, he absorbed international influences. His loose brushstrokes, fervid often dark emotionalism, and tortured poses, which recall at times later expressionism, display stylistic tendencies more typical of Lombardy. Numerous artists, including Fetti, Bencovich, Rubens, and Magnasco are said to have influenced him, although the number and diversity of the artists suggested hints that he had an idiosyncratic and unique synthesis for his time. Among his early works are paintings of the Miracles of Pius V, the Conversion of a Heretic and the Healing of a Madwoman
Ernest Meissonier
Lyons 1815 - Paris 1891. French Academic Painter, 1815-1891. Lyons 1815 - Paris 1891. French Academic Painter, 1815-1891. French genre and military painter. His study of the Dutch masters was evident in his first Salon-exhibited painting, A Visit to the Burgomaster (1834). His small genre paintings are meticulous as to furnishings and costumes. Among Meissonier's battle scenes, chiefly of the Napoleonic Wars, are Napoleon I with His Staff (Louvre) and Friedland, 1807 (Metropolitan Mus.).
Barent fabritius
Dutch Baroque Era Painter, 1624-1673 Painter and draughtsman, brother of Carel Fabritius. Like Carel, he was first taught painting by his father, also learnt carpentry and practised as an artisan in Midden-Beemster in 1641. He is documented in Amsterdam in 1643 and 1647, though it is not known if, like his brother, he was also a pupil of Rembrandt. Nevertheless, his style is similar to that of the Rembrandt school. He must have been trained in the second half of the 1640s. His work is reminiscent of the style of his brother, who clearly influenced and may also have instructed him. In 1652 Barent lived in Amsterdam and married Catharina Mussers in Midden-Beemster. In the following years he is documented alternately in Midden-Beemster and Amsterdam. He painted a group portrait of the town master builder, Willem Leenderstsz. van der Helm and his Family (1656; Amsterdam, Rijksmus.), in Leiden, and in 1660-61 he received further commissions for the Lutheran church in Leiden. From 1669 Barent lived with his family in Amsterdam, where he died at the age of 49. He was buried in the churchyard in Leiden that was usually reserved for the poorer inhabitants of Amsterdam.